Blog Banner

Google Successfully Defends $600 Million Patent Lawsuit Brought by Company with No Programming Expertise

I don’t usually write about Patent law issues, but this story from The Prior Art is fascinating, and is certainly relevant to copyright and trademark.

Essentially, Google successfully defended a patent infringement lawsuit brought by a “patent holding company” or “patent troll,” which is a company that does nothing but file patents. Once the patents are filed, these companies can sue anyone using the technology they patented even if the company they are suing came up with the invention on their own.

Here, the suit was brought by a pair of entrepreneurs who claimed that Google infringed their patent by using it’s adsense system. Initially, Function Media LLC (the company suing) sought %20 of Google’s profits, but then reduced that request to $600 million.

The fascinating part of this story is that the entrepreneurs behind Function Media LLC had almost no programming ability (other than one junior college course). They paid a consultant to build the program but it was never finished. Despite never actually building the project they were still able to bring the suit.

In the intellectual property debates, people often refer to their “property rights,” and it seems that the gut reaction of the public is that these “rights” should be protected against thieves. But was Google a thief here? This is a perfect example of how over-enforcement of intellectual property rights are contrary to the very reasons we have these laws in the first place — “To promote the progress of science and useful arts.”

Posted in Technology and Information | Tagged , | Leave a comment

Government Seeks Input for Intellectual Property Policy

The U.S. Government recently formed a task force to enforce intellectual property laws. Now Victoria Espinel, the U.S. Intellectual Property Enforcement Coordinator, is asking for input from the public about IP policy:

To further these goals, we are working to find ways of measuring these threats and their impact on us.  How many jobs depend on the existence of intellectual property?  What are the greatest risks to health and safety?  We need better data on these questions and it is part of my job to figure out what the answers are.  We cannot do that without your help.  So, my office is asking the public to give us information about the costs and the risks – and then give us suggestions for what we could be doing better as a government.   As a first step, we are issuing a notice to the public asking for your input. Here’s a link to this request (pdf).  You can send your comments to intellectualproperty@omb.eop.gov.  We look forward to hearing from you.

This could be a good thing. Spurious numbers are far too common in IP debates. One of my favorite examples is found in William Patry’s Moral Panics and the Copyright Wars,  where Patry describes how the music industry and its advocates would often say “American businessenes lose $250 billion every year, and we have lost more than 750,000 jobs because of intellectual property theft.”

Read More »

Posted in Copyright | Leave a comment

Google’s Numerous Legal Battles

Google’s legal battles both in and out of the courtroom are becoming more ubiquitous.

First, the new legal challenge. ABC News is reporting that a class action lawsuit has been filed against Google over it’s controversial policy of (1) having your closest contacts automatically follow you on Google Buzz and then (2) publishing those contacts to the entire internet. According to the article, the purpose of the lawsuit is not money but rather to motivate Google to be more careful about protecting its users privacy.

Second, Judge Denny Chin heard arguments in federal court yesterday over the Google Book Search Settlement. It seems that professional opinion is against the settlement. CNET reports that opponents to the settlement outnumbered supporters 3 to 1. The concerns about the settlement are manifold, including copyright, anti-trust, and privacy issues.

Third, Google has received more criticism over its decision to shut down several prominent music blogs hosted by its Blogger service.

Some are beginning to lose confidence in Google. In “Why I am Dropping Google,” Kirk McElhearn explains why he is deciding to use Google less (apparently, total abstention is not an option at this point). He lists the legal problems above as well as Google’s actions with respect to China.

While the Google Buzz opt-in mess was certainly a blunder, these problems are a natural outgrowth of Google’s size and the breadth of its aims and are to be expected. Google has been pushing intellectual property boundaries for years. The Google Book Settlement might not be the best arrangement for producing digital copies of books, but if it was not for Google we would not have come this far so soon. Microsoft’s efforts to digitize books failed, and competitors have not approached the scale of Google’s book digitization.

Posted in Copyright | Tagged , | Leave a comment

Author Gets Caught Plagiarizing, Defends on Grounds that She Belongs to a Generation of Plagiarists

Helene Hegemann is a precocious author who at 17 is one of the most popular authors in Germany. Her novel “Axolotl Roadkill” is currently the fifth bestselling book in Germany right now.

Unfortunately, it turns out that much of the novel is plagiarized word for word from other works. According to the NYT, Hegemann is less than apologetic, and actually sees her plagiarism as something innovative:

Although Ms. Hegemann has apologized for not being more open about her sources, she has also defended herself as the representative of a different generation, one that freely mixes and matches from the whirring flood of information across new and old media, to create something new. “There’s no such thing as originality anyway, just authenticity,” said Ms. Hegemann in a statement released by her publisher after the scandal broke.

I don’t think there is anything “different” about Hegemann’s generation and its relationship to plagiarism when compared to the history of art over (at least) the past two millennia, and it is hubristic to claim otherwise. Her generation is not doing anything that is different from what Shakespeare or Milton did. To claim that Hegemann or Girl Talk came up with the idea of combining sources into one work is ridiculous; it’s to take something basic to the artistic process and hold it up as though its some kind of new innovation.

There is a great passage in Northrop Frye’s Anatomy of Criticism (quoted in Mark Rose’s Authors and Owners) that is relevant here:

Literature is elaborately disguised by a law of copyright pretending that every work of art is an invention distinctive enough to be patented. The state of things makes it difficult to appraise a literature which includes Chaucer, much of whose poetry is translated or paraphrased from others; Shakespeare, whose plays sometimes follow their sources almost verbatim; and Milton, who asked for nothing better than to steal as much as possible out of the Bible.

There is a line between borrowing from earlier sources and a straight copy and paste approach, and the latter should not be lauded as innovative or spectacular. All artists borrow from their predecessors. The relationship between the author and his inspiration is a delicate one that requires finesse and tact to navigate. Ignoring the complexity of the situation and just relying on “this is what my generation does” is no way to approach the problem, and in all likelihood will not produce great art without some degree of innovation on the part of the artist.

Copyright Alliance

Licensing Plate

PressEurop

TechDirt

Posted in Copyright | 2 Comments

Legal Ethics and Copyright: A Comment on Lawrence Lessig’s New Repulic Article

Lawrence Lessig has an article in the current issue of the New Republic about copyright and its effect on our culture. Essentially, he criticizes the current climate of copyright licensing, and blames over zealous lawyers have created a situation in which we will need a lawyer “at every turn of page.”

I agree with most of Lessig’s criticisms and warnings, but I don’t think this is something that rank and file lawyers can change. If intellectual property laws are to become more reasonable, the change will have to come from Congress or from the people who own and license rights to other works.

Read More »

Posted in Copyright | 1 Comment

Recovering Artwork Stolen by Nazis: Two Recent Cases

Two cases decided recently highlight the difficulty descendants of holocaust victims experience when trying to recover artwork the Nazis stole from their ancestors.

In the first case, a German appeals court decided that the heir to a six million dollar collection of vintage posters may not be entitled to the return of the posters from the German Historical Museum.

Read More »

Posted in Fine Arts | Tagged | Leave a comment

French Government Agency Established to Fight Copyright Infringement Infringes Artist’s Copyright

The French government enacted a law in October 2009 that will effectively cut off internet access to the households of repeat copyright infringers. The legislation established a government agency to oversee the enforcement of the laws called “HADOPI.” The agency chose this as their logo:

Soon after HADOPI released this logo, a font designer named Jean-François Porchez claimed that the logo infringed on his font, which he had created for France Telecom. France Telecom does not plan to pursue the matter, but Porchez may bring a court action against HADOPI.

Read More »

Posted in Copyright | Tagged , | Leave a comment

Filmmakers, Crowdfunding, and Securities Law: A Cautionary Tale

Most filmmakers are surprised to learn that securities law may apply to the production of their film. It seems counterintuitive to think that securities law, something we normally associate with stocks and Wall Street financial firms, can apply to a small budget film funded by family or close friends or from crowdfunding sources. But in many cases, securities laws may apply, and one recent New York case underscores this fact.

Read More »

Posted in Film | Tagged , , | 3 Comments

The Bono Op-Ed: A Digest

As many already know, U2′s Bono wrote an op-ed in the New York Times about “10 ideas that might make the next 10 years more interesting, healthy or civil.”

Bono devoted only three paragraphs of the op-ed to the subject of intellectual property, but those three paragraphs enraged many people. Bono argues that (1) “we’re just a few years away from being able to download an entire season of “24” in 24 seconds”; (2) file sharing hurts “fledgling songwriters who can’t live off ticket and T-shirt sales”; (3) service providers benefit from this “reverse Robin Hooding” and ISPs “swollen profits perfectly mirror the lost receipts of the music business”; and (4) the ISPs should be responsible for tracking content: “We’re the post office, they tell us; who knows what’s in the brown-paper packages? But we know from America’s noble effort to stop child pornography, not to mention China’s ignoble effort to suppress online dissent, that it’s perfectly possible to track content.”

Of course, it was the fourth claim that angered many, and it’s easy to see why. Bono draws an implicit moral comparison between child pornography and downloading mp3s, and then goes on to hold up China’s censorship of the internet as an example of what American ISPs should be doing. Both are dubious assertions. The first is a bit underhanded — Bono doesn’t draw a direct link between child pornography and file-sharing, but the association is made nonetheless. The second assertion, concerning China’s censorship, is surprising coming from a man who has devoted his later career to spreading human rights. My guess is that this is not something he thought over before he had it published.

Many have responded to the op-ed. Below is list:

Andrew Heaney of TalkTalk: Heaney makes several good points, one of which is that ISPs do not make money from file-sharing; to the contrary, the extra bandwith required actually increases ISP’s costs. In addition, “there are dozens of applications and tools out there which allow people to view content for free and no amount of snooping can detect it.”

Gigi Sohn of Public Knowledge: Sohn argues that Bono’s advocacy for stricter intellectual property laws actually runs contrary to many of Bono’s professed beliefs. She cites studies indicating that intellectual property laws principally benefit industrialized nations and stifle innovation.

Larry Downes at Stanford’s Center for Internet and Society takes issue with the child pornography connection. He writes “most federal and state efforts at solving that scourge at least in the online world have been so broad and clumsy that they instantly fail First Amendment scrutiny. ” He lists many of the these blunders and points out that “The U.S. has the most vibrant, free and innovative Internet because we don’t have gatekeepers in the middle of the network.”

Danny O’Brien of the Electronic Frontier Foundation draws attention to Bono’s contradictory efforts to make drugs more available to developing countries by loosening patent protections.

Mike Masnick of TechDirt lists some of the bands who have successfully adapted to changes in the music industry, and takes apart Bono’s claims that ISP make money from file-sharing.

Former Nirvana Bassist Krist Novoselic came out on the side of  Bono but his comments add little to the discussion. The TechDirt response is here.

Posted in Copyright | Tagged | Leave a comment

Giving Your Content Away For Free

A Time article describes how several filmakers successfully marketed their films by giving them away online. According to the article, Timo Vuorensola’s Star Wreck reached nine million downloads and generated over $430,000 from collector’s edition DVDs and merchandise. Nina Paley’s Sita Sings the Blues, also released for free online, earned over $55,000. The article ends by stating:

Soon, the middleman could be a thing of the past. And it may only be a matter of time before movie theatres — popcorn and all — are on the way out, too.

I found two problems with the article. First, I agree that this distribution model will become more common, and perhaps even the dominant form of low-budget independent film distribution. However, I don’t see movie theaters becoming extinct. The movie-going experience cannot be recreated at home; there will always be an allure to going out to a theater to be visually and aurully immersed in a film.

Second, the article also does not describe anyone who has failed at using this distribution method, and I am sure there are many. Just as with the old distribution models, there will be success and failures, and probably more of the former. The article describes the rewards of free online distribution but none of the risks.

As content becomes easier to distribute online, artists will have to look to their content as merely the bait to draw people to other revenue streams such as merchandise and donations.

According to the article, Timo Vuorensola’s Star Wreck reached nine million downloads and generated over $430,000 from collector’s edition DVDs and merchandise. Nina Paley’s Sita Sings the Blues, also released for free online, earned over $55,000. The article ends by stating:
Soon, the middleman could be a thing of the past. And it may only be a matter of time before movie theatres — popcorn and all — are on the way out, too.
I agree that this distribution model will become more common, if not the dominant form of low-budget independent film distribution. However, I don’t see movie theaters becoming extinct. The movie-going experience cannot be recreated at home; there will always be an allure to going out to a theater to be visually and aurully immersed in a film.
The article also does not describe anyone who has failed at using this distribution method, and I am sure there are many. Nevertheless, just as with the old distribution models, there will be success and failures, and probably more of the former.
Posted in Business of Art | Tagged , | 1 Comment
  • email